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God I love analogue!!!!
I really do......
The latest bunch of recordings I have done have been tracked through an old analogue console, recorded into the computer via Cubase SX, compression & subtractive EQ applied, then back into the desk for EQ and Reverb, and it is sounding so amazing!!!! I will post one of the tracks when I get around to it, so you can see And if you havent been convinced yet, you really need to experience it. Next time you have a finished track, send it to an old analogue mastering house and get them to run it through a bunch of old vintage gear...... God I love analogue.......... :) |
Finally someone is coming around! I thought I was fighting this battle by myself for a while. Glad to have you aboard Jase.
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If i really got to choose i'd be sitting in an all analogue studio ->
Modular-wall, cv/gate-sequencers.. my all time favourite synths are analogue mono-synths acctually. |
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It all comes down to the cash factor doesn't it. :cry:
A combination would be nice indeed. Bellow is my wish list - which probably won't happen in the near future. :cry: Analogue Desk with sweet EQs. Compressors. Pre-amps. Bass synths. Digital Sequencer. Distortions, delays and most other FX too. Multi track recorder. Synth sounds that need heavy modulations and leads. Sampler. |
I love analog too
I'll just add my 2cents here.
I recently ponderd better sound in the last year, so I did some tests to see what kind of upgrade I would actually see results from. I tested a few things on a production and here's what I found. Upsampling a 44.1 mix to 88 or 96 to master it and then resample to 44.1 gave negligable benifits. Recording my virus parts and rendering vsti synths at 96 or 88 and adding them to upsampled wavs to make a new mixdown did some improvement, mainly in the vsti synths. Mixing all virus parts (3 stereo busses) in real time with 4 stereo busses of my production in the analog rhelm. MADE A HUGE DIFFERENCE, like a cardboard wrapping was torn away to reveal the silky inner of space and depth. At the time I had no analog mixer and made a passive summing buss network fed into a stereo preamp. I recently improved the setup using a Manley solid state pre, that sounds crystal clear. The ironic thing is I made such a difference mixing out side the box and I'm still producing at 44.1. |
Re: I love analog too
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Are we using what we have to it's full potential? Edit: Here is a link to one of the songs I recorded so you can see what I mean this is a link |
Re: I love analog too
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If it were upto me (and money was no option) I would have a totally analog setup. Right from recording -> effects -> synths.
When you run a Virus through analog effects* and record it using tape machines...the sound is VERY PLEASING. I had the opportunity to record some bass and pad patches doing this and it totally transformed the virus into something very special. It became genuinely hard to distinguish between analog poly and VA (Huh...I thought I'd never say that!) *Roland space echo and chorus (cant remember the exact model). DS |
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