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Puzzled: TI sample size?
I am rather puzzled by the various references to the sample sizes on the Virus TI. From what I have gleaned from postings on this board, the inputs and outputs of VirusControl are 16-bits. The DACs and ADCs are 24-bits, though, so if I am using the Virus as a "soundcard" to input and output from/to these inputs via the USB connection, are the samples 16-bits or 24-bits? It would seem futile to use the Virus as a soundcard if it is only 16-bits. Finally, what is the sample size for the S/PDIF input and output?
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Anything that travels over USB in the Virus (including soundcard usage) = 16-bit depth.
USB = 44.1KHz @ 16-bit 6 x balanced jack outputs = 192KHz @ 24-bit D/A Not sure what the bit-depth of the digital S/PDIF outputs are, but the sample frequency rate is 44.1KHz/48KHz. S/PDIF connections are usually 20-bit, or 24-bit (depending on the hardware), but can be made to run at 16-bit by way of truncation. So I'm unsure as to what bit-depth Access have set them to run at. Separately, the 2 x balanced analog inputs use 24-bits A/D (unsure as to the sample frequency rate for these). |
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I think it may be more to do with the limitations of the hardware that Access implemented elsewhere.
There are three different types (speeds) of USB v2 chipsets:- 1) Lo Speed = 1.5 Mbit/sec (187.5 KByte/sec) 2) Full Speed = 12 Mbit/sec (1.5 MByte/sec) 3) High Speed = 480 Mbit/sec (60 MByte/sec) Access chose to use the Full Speed chip. So the TI's USB connection is limited to 12 Mbit (1.5MByte/second) - for everything. Streaming a mono track at 44,100 Hz 16-bit would require 86 KByte/second. (16-bits = 2 Bytes, therefore 44100 x 2 = 88200 Bytes = 86.13 KBytes). Access allow six audio channels, so 6 x 86 KB = 517 KB/second (0.5 MByte/second). Factor in streaming MIDI, Virus Control, VST automation data, Remote control, and error correction, and it'd probably not be far off from using up most of the 1.5 MByte/second bandwidth available. That said, streaming a mono track at 44,100Hz 24-bits would only require 129 KBytes/second. (24-bits = 3 bytes, therefore 44100 x 3 = 132300 Bytes = 129.2 KBytes). Six channels of 24-bit would need 775 KByte/second. Which is only 258 KByte/sec more than six channels at 16-bit. I'm unsure as to how much bandwidth MIDI, VC, VST, Remote, and error correction require. If it were me, I'd try plumbing your Ti into your 192KHz/24bit soundcard for recording at 44.1KHz/24-bit, and use the TI's USB for MIDI/VC purposes. You can always try it yourself and see if the added fidelity of that setup is noticeable or not. |
What about if you use the Virus as the sound card and record the Virus back into itself to utilise 192khz/24bit converters in and out? Does it still get bounced down your DAW at 44.1/48khz/16bit and defeat the purpose of trying to do this?
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I think although the Virus' inputs are 192KHz/24-bit, the data only remains 192KHz/24-bit while it stays inside the Virus, or gets passed to the 192/24 audio jack outputs....
... HOWEVER, wouldn't it be great if Access gave a software-switchable option of using either 4 channels of 24-bit, or 6 channels of 16-bit, over USB? Either would use identical bandwidth, as shown:- 6 channels of 16bits: 44100 x 2 Bytes x 6 channels = 517KByte/sec 4 channels of 24bits: 44100 x 3 Bytes x 4 channels = 517KByte/sec Would be ideal for those (the vast majority of us) who don't need to use 6 channels of Virus, but want higher quality sound via USB. |
Thanks for clarifying that.
And great idea!! |
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