With 24-bits you don't need to worry about hammering it as close to 0dB as possible, you have masses of dynamic range to play with, the noise-floor is very low. I think it's normally advised that you aim for about -12dB with peaks at around -9dB tops. This is with all channels, so they're all the same level when you come to mixdown. You'll have good headroom to play with as a result.
Recording at 16-bits or less is another matter.
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PS > And another thing! Will the Ti|3 have user customisable/importable wavetables?  A ribbon-controller or XY-Pad might be nice, too, please! Thanks!
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