I dont know of anyone who does this - part of the problem is that there is a huge varierty of software and gear out there, though most of it can be setup along common mixing/studio setup principles and part of getting a good setup is having the right combination of gear in the first place, and of course having an idea what you want to do and how you want to work - I appreciate the latter is near impossible without a background in audio/music production.
SOS magazine regularly do a studio makeover feature - basically sorting out accoustics, ergonomics, DAW setup (if one of the main DAWs - cubase, logic etc) and giving advice. One of my friends in london had this done for her (I think it was in Nov 2005 issue) and it made quite a difference. It may be useful to have a read of some of those make over articles to get a feel for the kind of things that they do - there is alot of very useful information in those articles beyond the common theme of accoustic panels...
For most people the issues they face tend to fall into maybe 3 categories...
1. Studio space itself - accoustics, layout/ergonomics
2. Wiring and signal routing - audio/mains/midi etc
3. Familiarity with old school mixing practicses in a studio - or rather lack of.
For all of these there are loads of good articles around the net that can give you a good idea of what can work well for layout of all you gear, controlling the accoustic space etc, what kind of things to do/not do in terms of wiring and of course how to make good use of a mixer, patchbays, fx routings etc and most important - gain staging through you mixer and fx to keep the noise floor down and still give you useful headroom to work with - ie some good practices around session mixer setup and use of tracking sheets or equivalent if appropriate. DAWs have a tendency to make people very lazy around gain staging - but even in the 32bit float world of a DAW - appreciation of old school mixer practices can make life so much easier.
There are loads of courses around for studio audio engineer type work these days as well - from intensive weekend courses to full year long courses - having the kind of background knowledge from such a course, or even better - actually working in large complex studios and edit suites (BBC in my case) can make a huge difference as well. Most of these coure tend to obviously focus on the core tasks of an audio engineer, however you can pickup alot of very useful bacground and good practice - especially if its run in an older more hardware based studio. Hardware practise tend to translate well into software - software practices tend to make hardware more like hard work than it needs to be...