you keep saying working in 24/96 is such a huge advantage. tell me what these are? as someone else just mentioned, mastered CDs are 16/44, how the hell can it then benefit you working at different bitrates etc.
i know some mastering studios want the source in 32-bit float etc, but i think you can export it as this format AFTER actually working with the project in 16/44.
.x
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