However, for the price, one could get Blofeld, which has a much more powerful and versatile synth engine. After to listening to the review again posted that indeed had seen many when UltraNova first was released; compared to sound of the Supernova or dare say even the Nova tabletop, it sounds more like casio cz series reboxed and used the "Nova" name to give some sort of pseudo legacy. Six envelopes are great to have if the sound engine has a massive capability to sculpt it without sounding as Timo rightly said, VERY phasey. Perhaps Novation was simply going for mainly the DJ market? Too bad Novation seemed to drop original Supernova line after the Supernova 2 rack. Having said that, and knowing the Supernova 2 has many more great functions added than my original Supernova 1 rack, I would not trade it for any of the 'bastard grandchildren' of the 'Nova-namesake' post-Supernova 2. Novation do make awesome controllers (Remote SL MKII series), of which it seems touch sensative controls and exact same screen are used on the Ultranova, but as the review showed, those encoders looked like they would not take much abuse without trepidation; of which, the Remote Sl MKII does not suffer from. (a buddy of mine said as much as he even hated Roland's Gaia, he felt they easily could have been designed by same engineers...he owned both at different times for less than a week)
On a similar note that Timo mentioned about Korg Radias; it's definitely going to be sold or even donated to university music dept. as it is very underwhelming compared to other synths am working with and try as I may, the Radias ALWAYS wants to sound so fraking HAPPY and plasticky. The Virus's older engines still eat most of anything out there for breakfast, lunch, dinner, and scooby snacks inbetween!!
