Yep deffo. But I need to increase my understanding of musical theory first.
I go to classical concerts a lot and have noticed the number of 'parameters' acoustic instrumentalists have at their disposal. The subtle variations in timbre and their uses in affecting the feel of the playing are varied and striking.
The virus is a very flexible instrument and I believe a really good synth programmer should be able to produce patches with a wide range of nuance. I'm trying to work towards that myself, but alas, am really quite shit at programming patches!
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