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Originally Posted by solconnection
Quote:
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Originally Posted by aisling
VERY WELL SAID.........one of the shameful tragedies of the trance genre (as a whole, excluding pioneering innovators) is the inability to modulate voicings.
I am actually a guitar player first and formost, and rely on voicings a lot. I got into being an electronica composer/producer (not pro) by defualt. I just got sick of the "fluff pop/cock rock/gansta rap/emo" that has been shoved at us since the early 90's. At least here in the good old US (about to bomb iran into the stone age) of A
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is there anything particular to look up theory wise in regards to modulating voicings (as searching for voicings/modulation in any combo didnt really give me any results)
im trying more and more to get into the theory and this sounds interesting
have a nice day
-Dan |
A chord consists of a 1, 3, 5 notes in a scale of 8 tones (this is a major chord! for example sake, you can add 7ths flat 3's 2nd's, etc....the possibilities are varried but we will keep it short and easy)
That is a chord in the 1st voicing.....now change that around so the chord starts on the 3, 5....1(octave higher)
and it is now the second voicing........still the exact same chord, butt the notes are mixed up....
does that help?