General discussion about Access Virus Discussion about Virus A, B, C and TI. |

18.01.2006, 09:27 AM
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Join Date: 20.10.2005
Location: Back in the UK
Posts: 933
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MD3 Mastering
I know this doesn't belong on this discussion Mr DS but i'm going to put it here anyway because most of yous look at this discussion the most.
And yes we have asked on the Powercore forum,but noone will answer us.
SO
I've Just invested in an MD3 mastering tool for the Powercore. Great bit of kit !!!
But how should we go about tweaking the settings what should we look out for..We have noticed that the compressor is very powerful ,sometimes we enable it and it sounds like "Radio Baghdad " so how should we tweak our settings (Thresh,Gains,Ratio,attack and release-LO,MID,HI) for Vocal trance.....
Also the Expander/compressor settup Lo Xover,Hi Xover,Crest,Auto gain,Ref level
............................
We have also split the signal too input mode M/S unlinked
and Output mode to M/S decode
as Robbie shows in the video http://www.tcelectronic.com/tccinema...inema/PoCo/md3

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18.01.2006, 11:12 AM
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This forum member lives here
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Join Date: 11.12.2003
Location: Northern Beaches - Sydney, Australia
Posts: 2,755
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Big questions!!!
Firstly, I would say, if you want your music mastered, go find an actual mastering engineer. If you think you can master your own works, think again.
Secondly, I realise that this is sometimes not a viable option, due to budget constraints, and if this is the case, I would ask one of your buddies that you trust, to do the mastering for you using your MD3.
It is important that someone else masters your tracks for you, someone preferably who isnt involved in the recording/mixing process. Sometimes you can become decensitised to your songs, and not notice certain things that someone who hasnt heard the works will be able to notice.
OK. Compressors...
Firstly, do some reading. Find out what each knob does. I cant be bothered explaining.
Now, what is your goal. Is it to be the loudest kid on the block? Considering it is dance music u are making, I guess your tracks need to be competative...
M/S is good if you want to bring out instruments in the centre, for example, you want to only compress your vocal (which should be in the centre), so you can, to make it stand out more. M/S in mastering is usually used to correct mistakes made during mixing. If you are happy with your mix, decoding to M/S might not be necessary.
Lastly, just play with it. Listen to every change and keep an eye on what you are tweaking. We can all hear compression when it's bad, the hard part is hearing compression when it is good. It might take some time. It did for me.
Good luck!
__________________
MYSPACE
G5, Cubase SX, Reason 2.5, Acess Virus RackXL, Yamaha Motif Rack, Yamaha CS-10, Roland D-50, Korg X5D, Korg Electribe ER-1mkII, HALion VST Sampler, MOTU 2408mkIII, Studer 169, Roland JUNO 60
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19.01.2006, 09:00 AM
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Aged Veteran
Aged Veteran
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Join Date: 20.10.2005
Location: Back in the UK
Posts: 933
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Quote:
Originally Posted by jasedee
Big questions!!!
Firstly, I would say, if you want your music mastered, go find an actual mastering engineer. If you think you can master your own works, think again.
Secondly, I realise that this is sometimes not a viable option, due to budget constraints, and if this is the case, I would ask one of your buddies that you trust, to do the mastering for you using your MD3.
It is important that someone else masters your tracks for you, someone preferably who isnt involved in the recording/mixing process. Sometimes you can become decensitised to your songs, and not notice certain things that someone who hasnt heard the works will be able to notice.
OK. Compressors...
Firstly, do some reading. Find out what each knob does. I cant be bothered explaining.
Now, what is your goal. Is it to be the loudest kid on the block? Considering it is dance music u are making, I guess your tracks need to be competative...
M/S is good if you want to bring out instruments in the centre, for example, you want to only compress your vocal (which should be in the centre), so you can, to make it stand out more. M/S in mastering is usually used to correct mistakes made during mixing. If you are happy with your mix, decoding to M/S might not be necessary.
Lastly, just play with it. Listen to every change and keep an eye on what you are tweaking. We can all hear compression when it's bad, the hard part is hearing compression when it is good. It might take some time. It did for me.
Good luck!
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Cheers...Yesterday some guy who was an Apprentice sound engineer explained alot of things including the physics of compressors...It was very interesting......
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