Thanks for all the responses.
I've read the manual all last night and I've come to the conclusion that it's not possible to do this on the Virus! I'm actually extremely surprised the Virus doesn't do this, as it's a very powerful and expressive (yet very basic) technique. I often use it on the Moss (Z1) board for my Korg Trinity as a programming technique - It's excellent for brassy-type stabs and sounds and as an extra alternative to detuning or unison for increasing the 'fatness' of a sound. It might well be possible why the Virus can't re-create the JP80*0 supersaw (as per on another thread), too?
Basically the PW controlling a square/pulse-wave alters the pulse-on/pulse-off ratio. However, when using pulse-width on something like a sawtooth, it shifts one of the 'transients' of the single-cycle oscillator waveform towards, or away from, the next transient of the sawtooth.
Whereas a square/pule wave with a pulse-width ratio of 100% leads to 'silence', a saw wave at 100% would sound as though it had doubled up an octave. Modulating the PW of a saw-wave with an LFO would make it rock gentley from one octave to the next as the middle-transient of the waveform cycle moves away from its 50%:50% pulse-width ratio.
To make it easier to see what's happening, I've grabbed some waveform images of what happens on my Z1 (Moss) board VA when modifying the PW of a saw:
/\ Above shows a standard sawtooth with an overall pulse-width effect of 0% - no effect.
/\ Above shows the sawtooth with a pulse-width effect of 25%.
/\ Above shows a pulse-width effect of 50%.
/\ Above has effect of 80%.
/\ Above shows 100% pulse-width effect - in effect, it's doubled the frequency, hence sounds like it's an octave higher.
I guess, therefore, it'd be emulatable by using two oscillators, one of which is an octave higher, and then crossfading between the two, but it's far less powerful, uses more resources (ie. ties up two or more oscillators) and is more elaborate and fussier to implement.
Anyway, if you're wondering what the original/actual version sounds like on my Moss...
A standard sawtooth oscillator is:-
[
Sawtooth]
An example of what a single sawtooth oscillator with pulse-width modulation sounds like:-
[
Pulse-width modulated by LFO]
Two detuned saw oscillators each with independant PW modulation:-
[
2 x detuned saws PW-modulated]
.... and that's without unison/unison-detuned, and in mono.
An old example I made showing saws and PW was this:-
[
Brassy saw stabs]
Aw bugger, hope they implement it in the next Virus, with as flexible wave-bending capabilities of Z3ta+!
Timo
