General discussion about music production Discussion concerning music production, composing, studio work, sequencing, software, etc. |

09.04.2008, 07:22 PM
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Celemony Melodyne... Direct Note Access
Anyone see this on Sonic State recently? VERY FRIGGIN' cool stuff if you ask me. Most likely not perfect or artifact free, but definitely a step in the right direction for sound analysis and processing.
In a nutshell, it's an update to the Melodyne audio processing stuff that goes a bit farther and has "direct note access" when working with polyphonic material. In other words, a recorded guitar major chord could be changed to a minor chord (among other things) through some sort of special DSP processing, etc.
This is really exciting for help in transcribing I think.
Check the video out. It's kind of long at 17min, but definitely worth watching in full. It's a real mind-blower.
http://www.sonicstate.com/news/shownews.cfm?newsid=6281
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09.04.2008, 07:37 PM
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Video gets really cool around 6:30 and on when he busts out the MIDI keyboard on some loop. 
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Synths can be like women. After the initial few months of intense love-making, things become routine, banal. Once the deepest recesses have been probed, new specimens begin to attract the eye, bursting with promise of unique treasures to uncover. --Doof
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Alesis Andromeda A6, Roland SH-101, Roland Juno-60, Yamaha FS1R, Yamaha SY85, Alesis Micron, Kurzweil K2000VP, Roland GR700+G707
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09.04.2008, 07:46 PM
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I want to see Roland jump over the underlying tech in this and license it for use in the next V-Synth engine for some sort of additional/added harmonics processing in resynthisis of polyphonically sampled sources that are fed into V-Synth...or something like that. 
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Synths can be like women. After the initial few months of intense love-making, things become routine, banal. Once the deepest recesses have been probed, new specimens begin to attract the eye, bursting with promise of unique treasures to uncover. --Doof
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Alesis Andromeda A6, Roland SH-101, Roland Juno-60, Yamaha FS1R, Yamaha SY85, Alesis Micron, Kurzweil K2000VP, Roland GR700+G707
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09.04.2008, 10:45 PM
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Saw this a while back and it made my jaw drop. Ground breaking, which is hard to achieve these days.
Looks like it works on single instrument musical passages, but would be interesting to see what effects would occur when deconstructing a more complex mixture of instruments/timbres.
Don't think it'll answer the common query "How can I remove a song to leave just the vocal, so that I can remix it?" just yet(!), but it definately looks like an awesome tool for ripping apart single timbre sampled arrangements, or pitch correction of notes inside a pre-recorded single-timbral arrangement where recording another 'take' would just not be possible.
I just wonder how much the demo was rehearsed, or if it was engineered specifically in a way that Melodyne works best (playing it "safe").
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PS > And another thing! Will the Ti|3 have user customisable/importable wavetables?  A ribbon-controller or XY-Pad might be nice, too, please! Thanks!
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10.04.2008, 01:15 AM
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I've been considering purchasing this at academix pricing for a year now; now I have one more reason.
Thanks for giving me awareness of one more thing I want.
-Alex
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28.04.2008, 02:26 AM
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oh my. just saw the video.
it is amazing how the ambience in the loops (the reverbs, dynamics etc.) had no artifacts when working with the individual tones.
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28.04.2008, 09:46 PM
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I wonder what happens when you use detuned unison waves as a source ? 
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28.04.2008, 10:09 PM
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Looks pretty damn cool, and a true step forward!
What I would like to know though, is it similar to early versions of Melodyne, the V-synth, Live and any other forms of 'rubber audio apps' which had serious quality loss?
One thing is for sure, can't wait to try this one out!!
Last edited by Hollowcell : 28.04.2008 at 10:14 PM.
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