Studio equipment An area for general discussion about studio equipment, excluding Access products which have a dedicated area. |

08.06.2005, 06:48 PM
|
Pro
Pro
|
|
Join Date: 10.06.2004
Posts: 403
|
|
Harry, I bought the 7506 for $100.00? Why do you have a different price?
The frequency response of 7506 range from 10hz to 20khz.
|

08.06.2005, 07:20 PM
|
Almost Amateur
Almost Amateur
|
|
Join Date: 04.10.2004
Location: England
Posts: 135
|
|
http://www.dv247.com/invt/9005
looks like they are cheaper in the US. $100 would mean they would be about ?50 which is already 1/3 of the price
Thanks for the info! 
|

08.06.2005, 11:52 PM
|
 |
Pro
Pro
|
|
Join Date: 15.10.2004
Location: New Zealand
Posts: 432
|
|
Its hard to go past the AKG K240 studios for the money and they are so bloody comfortable to wear. Also, certified flat response.
As for the sonys going down to 10 hz. LMAO!!!! at -how many dBs?
I can't hear below 25hz and I'll bet none of you can either 
|

09.06.2005, 12:03 AM
|
 |
This forum member lives here
This forum member lives here
|
|
Join Date: 11.12.2003
Location: Northern Beaches - Sydney, Australia
Posts: 2,755
|
|
The AKG K240's are budget headphones.....mine are cactus and they never left the studio.
I would recommend a pair of Beyer headphones. Solid
__________________
MYSPACE
G5, Cubase SX, Reason 2.5, Acess Virus RackXL, Yamaha Motif Rack, Yamaha CS-10, Roland D-50, Korg X5D, Korg Electribe ER-1mkII, HALion VST Sampler, MOTU 2408mkIII, Studer 169, Roland JUNO 60
|

12.06.2005, 06:25 AM
|
 |
Pro
Pro
|
|
Join Date: 03.12.2002
Location: Myyrm?ki, Vantaa
Posts: 436
|
|
Jase, the AKG K240's were built to the exact specifications given to AKG by Deustche Rundfunk (German Radio) as their de-facto cans to be used when recording live orchestra gigs. Can't understand why they don't sound any good in your studio. What's your desk?
But beware anyone who's interested in a pair cos they are 600 ohms impedance. Trying to use these out of a soundcard would be like trying to light a truck's headlamp on a couple of Duracells.
As for the quality, I run them out of my mixer on a balanced system and they sound better than my genelecs used to. Not because my gennys weren't any good, they were great.
|

12.06.2005, 02:44 PM
|
 |
This forum member lives here
This forum member lives here
|
|
Join Date: 11.12.2003
Location: Northern Beaches - Sydney, Australia
Posts: 2,755
|
|
Quote:
Originally Posted by matsa
Jase, the AKG K240's were built to the exact specifications given to AKG by Deustche Rundfunk (German Radio) as their de-facto cans to be used when recording live orchestra gigs. Can't understand why they don't sound any good in your studio. What's your desk?
|
Never said they didnt sound good, they are just not built to last. I am very careful with my gear and they are broke. I run the headphones from a Rolls headphone amp, from a stereo output from my MOTU 2408mkIII. No mixer involved.
__________________
MYSPACE
G5, Cubase SX, Reason 2.5, Acess Virus RackXL, Yamaha Motif Rack, Yamaha CS-10, Roland D-50, Korg X5D, Korg Electribe ER-1mkII, HALion VST Sampler, MOTU 2408mkIII, Studer 169, Roland JUNO 60
|

12.06.2005, 03:07 PM
|
 |
Very mucho Newbie
Very mucho Newbie
|
|
Join Date: 05.04.2005
Posts: 35
|
|
Gopal , it's not because you can't hear below 25hz that it's not a good thing that the headphones produce frequencies below that.
I read a book and it explains why the wide range of frequencies is important.
They did some tests with sounds and stuff where they compared the sounds with the frequencies below 20 hz and above 22 khz to the same sounds without those frequencies and there was an audible difference.
The theory was : tho we can't hear those frequencies , they have an effect on the frequencies we can hear , they slightly change them , so if we remove those frequencies , the sounds change.
Not that i'll ever be able to hear the difference , but hey , i ain't no mixing or mastering engineer you know.
Greetz...
|

12.06.2005, 03:28 PM
|
 |
This forum member lives here
This forum member lives here
|
|
Join Date: 25.07.2002
Location: Israel
Posts: 2,029
|
|
in addition leaving sub bass freq untreated (or untrimed for that matter) the lower end of your mix can sound moody because of these.
i usualy trim everything below 25-30 hz dou to the fact that i cant monitor them,rather be safe then sorry i say.
another question how exacly do you guys treat the lower end of your mix?
|

12.06.2005, 07:34 PM
|
 |
Pro
Pro
|
|
Join Date: 03.12.2002
Location: Myyrm?ki, Vantaa
Posts: 436
|
|
Jase, you're right there. they are a bit flimsy especially where the cable goes in the cans. I double wrap it around the frame to avoid yanking it out.
Tomer I never trim out the bottom like you do, but I'm gonna try it now. getting a great bass sound is worth its own thread - or messageboard even!
|

12.06.2005, 09:13 PM
|
Almost Amateur
Almost Amateur
|
|
Join Date: 04.10.2004
Location: England
Posts: 135
|
|
Yeh I agree - could someone post some tutorials / guides on how to EQ frequencies properly? I would find it helpful as I usually mix by ear and it would be useful to know how to do it properly
|
Thread Tools |
Search this Thread |
|
|
Display Modes |
Linear Mode
|
Posting Rules
|
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts
HTML code is Off
|
|
|
Similar Threads
|
Thread |
Thread Starter |
Forum |
Replies |
Last Post |
Burning in Headphones |
Drammy |
Studio equipment |
7 |
05.05.2005 11:19 PM |
All times are GMT. The time now is 10:24 PM.
Powered by vBulletin® Version 3.6.4 Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.
Skin Designed by: Talk vBulletin
Copyright ©2002-2022, Infekted.org
|