Is it funny?

[Doc Jones]

Originally Posted by grs

I hear a lot of the same things going on in the TI, and I have made a habit now of using Virus control with my RME sound card auto sync to the s/pdif of the TI. That way the RME and Cubase are the sync chasers.

That's an interesting suggestion. I think I may try this with my echo layla s/pdif. Just curious, what is the bit depth/sample rate that you can get using s/pdif and also, are you using the analog outs of your ti in conjuction with using the s/pdif connection?

[grs]

Originally Posted by Doc Jones

That's an interesting suggestion. I think I may try this with my echo layla s/pdif. Just curious, what is the bit depth/sample rate that you can get using s/pdif and also, are you using the analog outs of your ti in conjunction with using the s/pdif connection?

I believe the s/pdif is 24bit up to 96KHz. I was using all analog with delays in my Creamware scope environment to time align VST audio with TI audio. Then because of timing and note hanging I was soling and capturing TI tracks one at a time. Sometimes Analog - then hand editing waves for timing drifts then some with s/pdif, and by the end I was getting some sample accurate tracks.

[Timo]

Originally Posted by grs

I was using all analog with delays in my Creamware scope environment to time align VST audio with TI audio. Then because of timing and note hanging I was soling and capturing TI tracks one at a time. Sometimes Analog - then hand editing waves for timing drifts then some with s/pdif, and by the end I was getting some sample accurate tracks.

8O