That's a super saw lead! You'll need two oscilators with sawtooth waves, like you said. You'll then need to sync these two oscilators and turn the FM amount all the way up (Fm type= post tri). Then find a good balance between both oscilator's semitones. And yes, apply some detune to the second one. But not to much. You're goind to need the sub oscilator turned to 3'o clock. And a touch of noise to. Now the most important part of all: you need to turn on the unisson to 16 voices, detune=127, panspread=0.
Now, the sound sort of detunes itself along a note. That can be done in a lot of ways. One of the easy ways, of course, would be to set LFO 1 to modulate both osc 1&2 with some amount (from 12 to 25). You'll notice that the effect doesn't sound to obvious, so if you really want to feel it, simply turn the Lfo1 mode to Mono (unipolar) - then choose something like sine or triangle wave in the LFO shape, and a moderate rate. Try setting it back to Bi Polar mode again.
Oh yeah, the hall reverb should be ok. Some light distortion on the filter to. Make filter 1 a HighPass, put some resonance.
Just let me know!
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