Hi,
Traditionally, when using a compressor (Dynamics processor), the mixing desks 'insert points' are used. This is preferential to using the Aux sends (Which are used for reverbs/delays etc) because when using an insert point, the ENTIRE signal is sent to the device (using a Y-Lead) and then returned to the desk. When using the aux sends, only a PORTION of the signal is tapped off to the external reverb/delay, and then the return is "Mixed" with the original "Dry" signal.
When using FX such as compressors and EQ, you want the WHOLE signal to be passed to the FX, and then returned, using the Insert points on the desk. You do NOT want to use the aux sends for dynamics processing such as this.
Unfortunately for you, the Behringer mixing desk you have does NOT have Insert points. It doesnt even have DIRECT outs for the individual mono channels, which you would have been able to use to send the signal to the compressor, and then onto your computer.
DONT USE YOUR AUX SENDS FOR YOUR COMPRESSOR! Seriously.....
Sorry...just had to ram that point home. Now, what you can do is this. For your signal in channel 1, pan it HARD LEFT. For your signal in channel 2, pan it HARD RIGHT. Take you main outputs from the desk, and send then to the inputs on your compressor. Then, take the outputs from your compressor, and send them to 2 seperate inputs on your soundcard.
This will allow you to use the compressor across both channels, independantly.
But.....I suggest getting a new desk, with Direct outs for all mono channels, which also act is your insert points. I can recommend the Mackie VLZ1202 PRO. It will be a great little investment.
Good luck!
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MYSPACE
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