Manuel Schleis and others also use LFOs at the fastest settings (controlling pitch or similar) to add a buzzy distortion effect. The good thing with using LFOs in this way is that you can control the amount, so you can add just a little distortion, rather than it having to be 100% wet like the arpeggiator.
Selecting a different LFO shape also tweaks the distortion character slightly.
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PS > And another thing! Will the Ti|3 have user customisable/importable wavetables?  A ribbon-controller or XY-Pad might be nice, too, please! Thanks!
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