Quote:
Originally Posted by Berni
Yeah you have a point...wish I'd bought a bunch of 303's back in the day 
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Yeah I think old samplers are harder to justify for vintage collector geeks. I can remember when 12-bit samplers first came out and were all the rage. But, the modern computer or any other modest hardware / software combination can just do sampling better these days. That's different than something like a synth, which even if not the most spectacular does have certain characteristics that some could say may not be easily obtained any other way (I never thought PD synthesis of the Casio line was that great, but yeah they had their strong points). Or people just draw inspiration from working with vintage gear. I understand that as I enjoy just looking through the pdf versions of the manuals of some of the old synths I used to own -- nostalgic value. The implementation of an old hardware synth is so specific and costly to properly duplicate, that even its flaws have some value to someone. People go out of their way to emulate some of the bugs and problems of old synths.
But unlike synths I can't really think of a reason to own an old sampler unless it has a lot of useful onboard sounds (and memory was expensive back in the days, so their libraries would be scant by todays standards, with the likes of Komplete and such). I have seen people who specifically look for the characteristics of old 12-bit sound, but it's easy enough to emulate a lower bit rate on modern gear.