kudos to you, now you've gotten me started! apologies for going offtopic. I'm new here, so I think it's necessary to explain that I'm well aware of the fact that some of the stuff you'll read below might sound a bit elitist. but that was never my intention - I'm just telling it like it is. always have and always will.
Quote:
Originally Posted by Berni
So what kind of disc jockey are you? Pretty quiet on your site or is 'silence' the next new DJing concept, Lol. 
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hosting dj mixes in illegal, in case you didn't know. not to mention that I don't record demos, because the kind of person I am is one that cannot interact with the wall his decks are standing in front of. I make music for people and need them to get into the flow, ergo there is no way I could record a demo alone in my home studio - at least no mix that would realistically showcase the way I work. I'm still hoping to get someone to record a vid of me spinning in a live situation, but they are usually too busy freaking out. it's my own fault, I guess
as to silence, well... you probably just haven't noticed. I have a few very simple interactive loop sets on my site which, according to the tracking stats, keep most visitors occupied for quite some time
(I have a bunch of better ones which I will integrate after the next relaunch); and with all due respect mate, someone with a site like yours really shouldn't be judging others' work

throwing stones in glass houses and all that.
Quote:
Originally Posted by Celestry
It may only be me and Tranqui who see that as a clear distinction between what some DJs do different than others. I'm also fairly sure Tranqui did not seek to disparage those skilled selectors.
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you know, I don't even like the term "DJ" anymore. ever since mixing became more accessible, people who have a very limited understanding of music have been calling themselves that. I occasionally tutor guys who are just starting out and I can safely say I could probably teach a dog how to beatmatch - because it's so darn simple. sadly, most people don't ever grow beyond that level. most studio mixes I've listened to over the last few years lack any distinctiveness whatsoever. most DJs I've seen live are afraid to improvise. when I go for a night of clubhopping, I get the impression that I'm entering and leaving the same party over and over again. it's sad, really - because 10 years ago, when I started out, people have been trying to create an original performance - and nowadays, most of them only try to imitate the more successful ones. and this is why they fail. hideously.
here's a few things I usually tell the guys I train:
1. have a good, original selection of tracks; the beatport top 10 of the week won't cut it. think out of the box and explore multiple genres.
2. read the crowd. don't look at your decks, look at them! (loosely quoting norman cook)
3. once you've got them going, don't let them go, but...
4. ...give them a break once in a while. dehydrating isn't fun.
5. if you have special skills, don't be afraid to show them; but keep the practice sessions to your bedroom.
6. if your beatmatching is tight and your melodies clash, it's still a trainwreck. learn to mix harmonically.
7. no overkill combination of audio effects can save a shitty set, but well-dosed effects will certainly enhance a good one.
8. unique audio material will make you stand out. dig for it and use it.
9. no matter how good you think you are, you can always improve.
10. don't act like a fucking poser. nobody came here to look at you. if you want to leave an impression, use your music.