I think the reason I admire the Edge so much is that he has a strong synthesis and electronic influence. He increases the tones from his guitars ten-fold compared to others. You heard that mother fucking humungous phaser effect he uses on Zoo Station when playing live? woah. And he's not one of those egotistical nonces that have to play 748-notes-per-second guitar solos just because he can.
The whole band as a whole, to me, are just outstanding, though.
Anyway, TGND, the secret with the piano from New Years Day is distortion. Pianos sound fucking lovely distorted. EQ, compress, and reverb to taste. Distortion naturally compresses stuff anyway. Also play the notes two at a time, one one octave lower than the other. (If you have a good ROMpler piano available, simply use two oscillators, one being -12 semitones lower than the other). Don't fine-detune them at all, though, otherwise they'll sound like a crappy honky-tonk.
Also, break with tradition and apply reverb before compressing. Pumps it up like a giant mammoth mutha.
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PS > And another thing! Will the Ti|3 have user customisable/importable wavetables?

A ribbon-controller or XY-Pad might be nice, too, please! Thanks!